November 2008
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Kevin Macpherson
(current)
Valley View
18 x 24 inches

The process of plein air painting elevates my senses and allows me to appreciate the moment."   - Kevin Macpherson

In this glorious painting, Macpherson captures the essence of  a magnificent moment with stunning artistic expertise.  "Valley View" is one of five recent works now on display.


Gregory Hull
(current)
Crystal Cove Cottage
16 x 20 inches

This award wining painting earned second place at the annual art exhibition: "Coastal Splendor, Plein Air Invitational Crystal Cove"  2008.    Hull magically conveys the spirit and charm of old Laguna Beach that is  still  alive  in these historic buildings. "Crystal Cove Cottage" was  exhibited at the Irvine Museum.

 



John Cosby
(current)
Gentle Seas
28 x 48 inches

To artist John Cosby the ocean and her moods supply an endless study of light and color.  Always attuned to the beauty that surrounds him, Cosby grasps the nuances of the setting sunlight as it dances across the ocean's surface in a multitude of colors.



William Wendt
"In Nature's Temple"

The Life and Art of William Wendt

 
November 9, 2008 - February 8, 2009 

In Nature’s Temple: The Life and Art of William Wendt will be the first full-scale retrospective on the art of William Wendt. In 1912 William Wendt was elected an Associate Member of the National Academy of Design, the same year that he built a studio-home in Laguna Beach.  In many ways, Wendt represented the essential nature of California Impressionism both stylistically and ideologically. No other California Impressionist so consistently essayed the sweeping, romantic grand landscape view as Wendt, and no other painter so strongly equated his work with the ideology of Nature as Creation, and Nature as a spiritual path. Dapper, distinguished, and much admired by his many followers, Wendt functioned as a very visible example of what an artist should aspire to, and his ongoing career summarized the idealism that was the foundation of California art in the late-nineteenth and early twentieth centuries. ......

Organized by Laguna Art Museum, the exhibition will be guest curated by Dr. Will South, chief curator at the Dayton Art Institute, and will be accompanied by a color book featuring a 50 page essay by the curator. Dr. South’s many publications include Guy Rose: American Impressionist (1995); California Impressionism (1998); Color  Myth, and Music: Stanton Macdonald-Wright and Synchronism (2001); and In and Out of California: Travels of American Impressionists (2002).

The 320 page book accompanying the exhibition has been published in partnership with The Irvine Museum.


The Pasadena Museum of California Art  Romance of the Bells September 28, 2008 to January 4, 2009 www.pmcaonline.org

The Irvine Museum All the Water That Will Ever Be, is Right Now,  September 13, 2008 to January 17, 2009 www.irvinemuseum.org

Laguna Art Museum  In Nature's Temple, the Life and Art of William Wendt November 9, 2008 to February 8 2009. www.lagunaartmuseum.org


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Angel Espoy
(1879-1963)
Patch of Color
25 x 30 inches

Angel Espoy was born in Villa Nueva, Spain in 1879 and traveled to San Francisco, California in 1914, and later to Southern California in 1922. In California Espoy like many artists was taken by the natural beauty. There he became an accomplished painter of California’s rolling hills of poppies and lupine as evidenced "Patch of Color",  one of the artists premier paintings. The endless brightly colored poppy fields featured prominently in the artist's body of work.

Espoy led an interesting life with a burning desire to travel and to paint. At the age of 18 Espoy left home to work as a first mate in the Spanish merchant marines. It was at that time that he became familiar with every detail of the clipper ships he later painted. But his desire to paint was strong, so he left the merchant marines to go to Barcelona, Spain and study with the Spanish master Joaquin Sorolla (1863-1923).

Following his study with Sorolla, Espoy went to the Philippines and Havana, Cuba where his father had tobacco interests. It was in Havana that he began to earn his living as an artist by painting designs on furniture. By 1904 he made his way to New York City. In 1912, Espoy went home to Spain where he exhibited in the Madrid International Exposition. Moving to San Francisco in 1914, he spent seven years making cartoons for movies and painting with fellow artists Manuel Valencia, Carl Jonnevold, and John Califano. Espoy moved to Southern California in 1922 and from that time became a full-time painter.  Espoy was a member of the Los Angeles Art Association and had a solo exhibition at Barker Brothers Galleries in 1934. His works are held at Los Angeles City Hall, The Oakland Museum; Loyola University as well as many private collections.

 




Anna Hills
(1882-1930)
Santa Ana Canyon
14 x 18 inches

Anna Althea Hills trained at the prestigious Art Institute of Chicago along with many of the premier artists of American Impressionism and went on to study at the Julian Academy in Paris and then spent four years traveling and painting in the south of England, in Holland and in France. Upon her return from Europe in 1912, she settled in Laguna Beach and became a prominent figure in the arts and in the artistic history of Southern California, working tirelessly painting, lecturing, teaching and fund raising until her untimely death in 1930. Her contributions are noteworthy as is her magnificent body of work.

As one of the artists who was dedicated to painting nature as they found it, her paintings offer the viewer a splendiferous view of the untouched and magnificent beauty of early California. Along with Edgar Payne, Anna Althea Hills was an integral part of the formation and continued success of the Laguna Beach Art Association, serving as its president for six years. This association led to the development of the Laguna Art Museum.

Hills lived a life devoted to the arts, capturing the very special beauty of southern California on her canvases. "Santa Ana Canyon" is one of those very special paintings, atmospheric and rich where moisture laden clouds intensify the magnificent colors of the hills and brightly colored wildflowers and succulents bring glorious bursts of color to the foreground.

 






Gently Rolls the Surf
24 x 30 inches
Frank Cuprien (1871-1948)


California Poppies
28 x 32 inches
Paul Lauritz (1889-1975)


Landscape with Houses
30 x 36 inches
William Wendt (1865-1946)


Across the Bay
12 x 20 inches
Elmer Wachtel (1864-1929)


Puddingstone Lake
22 x 30 inches
Millard Sheets (1907-1989)


The Old California Dairy, 1948
19 x 30 inches
Millard Sheets (1907-1989)







The Redfern Gallery
1540 S. Coast Highway Laguna Beach, CA 92651
(949) 497-3356 Email: mail@redferngallery.com

Copyright 2008 The Redfern Gallery. All rights reserved.