
Kevin Macpherson
(current) |
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Valley
View
18 x 24 inches |
The process of plein air
painting elevates my senses and allows me to
appreciate the moment." - Kevin
Macpherson
In this glorious painting,
Macpherson captures the essence of a
magnificent moment with stunning artistic
expertise. "Valley View" is one of five
recent works now on display.
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Crystal Cove Cottage
16 x 20
inches
This award wining
painting earned second place at the annual art exhibition:
"Coastal Splendor, Plein Air Invitational Crystal Cove"
2008. Hull magically conveys the spirit and
charm of old Laguna Beach that is still alive
in these historic buildings. "Crystal Cove Cottage" was
exhibited at the Irvine Museum.
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Gentle
Seas
28 x 48 inches |
To artist John
Cosby the ocean and her moods supply an endless study of light
and color. Always attuned to the beauty that surrounds
him, Cosby grasps the nuances of the setting sunlight as it
dances across the ocean's surface in a multitude of colors.
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William Wendt
"In Nature's Temple"
The Life and Art of
William Wendt |
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November 9, 2008 - February 8, 2009
In Nature’s Temple: The Life and Art
of William Wendt will be the first full-scale
retrospective on the art of William Wendt. In 1912 William
Wendt was elected an Associate Member of the National
Academy of Design, the same year that he built a studio-home
in Laguna Beach. In many ways, Wendt represented the
essential nature of California Impressionism both
stylistically and ideologically. No other California
Impressionist so consistently essayed the sweeping, romantic
grand landscape view as Wendt, and no other painter so
strongly equated his work with the ideology of Nature as
Creation, and Nature as a spiritual path. Dapper,
distinguished, and much admired by his many followers, Wendt
functioned as a very visible example of what an artist
should aspire to, and his ongoing career summarized the
idealism that was the foundation of California art in the
late-nineteenth and early twentieth centuries. ......
Organized by Laguna Art Museum, the
exhibition will be guest curated by Dr. Will South, chief
curator at the Dayton Art Institute, and will be accompanied
by a color book featuring a 50 page essay by the curator.
Dr. South’s many publications include Guy Rose: American
Impressionist (1995); California Impressionism
(1998); Color Myth, and Music: Stanton Macdonald-Wright
and Synchronism (2001); and In and Out of
California: Travels of American Impressionists (2002).
The 320 page book accompanying the
exhibition has been published in partnership with The Irvine
Museum.
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Angel Espoy
(1879-1963) |
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Patch
of Color
25
x 30 inches |
Angel Espoy was born in
Villa Nueva, Spain in 1879 and traveled to
San Francisco, California in 1914, and later
to Southern California in 1922. In
California Espoy like many artists was taken
by the natural beauty. There he became an
accomplished painter of California’s rolling
hills of poppies and lupine as evidenced
"Patch of Color",
one of the artists premier paintings. The endless brightly colored
poppy fields featured prominently in the
artist's body of work.
Espoy led an interesting
life with a burning desire to travel and to
paint. At the age of 18 Espoy left home to
work as a first mate in the Spanish merchant
marines. It was at that time that he became
familiar with every detail of the clipper
ships he later painted. But his desire to
paint was strong, so he left the merchant
marines to go to Barcelona, Spain and study
with the Spanish master Joaquin Sorolla
(1863-1923).
Following his study with
Sorolla, Espoy went to the Philippines and
Havana, Cuba where his father had tobacco
interests. It was in Havana that he began to
earn his living as an artist by painting
designs on furniture. By 1904 he made his
way to New York City. In 1912, Espoy went home
to Spain where he exhibited in the Madrid
International Exposition. Moving to San
Francisco in 1914, he spent seven years making
cartoons for movies and painting with fellow
artists Manuel Valencia, Carl Jonnevold, and
John Califano. Espoy moved to Southern
California in 1922 and from that time became a
full-time painter. Espoy was a member of
the Los Angeles Art Association and had a
solo exhibition at Barker Brothers Galleries
in 1934. His works are held at Los Angeles
City Hall, The Oakland Museum; Loyola
University as well as many private collections.
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Anna Hills
(1882-1930) |
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Santa
Ana Canyon
14
x 18 inches |
Anna Althea Hills trained at the prestigious
Art Institute of Chicago along with many of
the premier artists of American
Impressionism and went on to study at the
Julian Academy in Paris and then spent four
years traveling and painting in the south of
England, in Holland and in France. Upon her
return from Europe in 1912, she settled in
Laguna Beach and became a prominent figure
in the arts and in the artistic history of
Southern California, working tirelessly
painting, lecturing, teaching and fund
raising until her untimely death in 1930.
Her contributions are noteworthy as is her
magnificent body of work.
As
one of the artists who was dedicated to
painting nature as they found it, her
paintings offer the viewer a splendiferous
view of the untouched and magnificent beauty
of early California. Along with Edgar Payne,
Anna Althea Hills was an integral part of
the formation and continued success of the
Laguna Beach Art Association, serving as its
president for six years. This association
led to the development of the Laguna Art
Museum.
Hills lived a life devoted to the arts,
capturing the very special beauty of
southern California on her canvases. "Santa
Ana Canyon" is one of those very special
paintings, atmospheric and rich where
moisture laden clouds intensify the
magnificent colors of the hills and brightly
colored wildflowers and succulents bring
glorious bursts of color to the foreground.
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Gently Rolls the Surf
24 x 30 inches
Frank Cuprien (1871-1948)
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California Poppies
28 x 32 inches
Paul Lauritz
(1889-1975)
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Landscape with Houses
30 x 36 inches
William Wendt (1865-1946)
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Across the Bay
12 x 20 inches
Elmer Wachtel
(1864-1929)
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Puddingstone Lake
22 x 30 inches
Millard Sheets
(1907-1989)
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The Old California Dairy, 1948
19 x 30 inches
Millard Sheets
(1907-1989)
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